Memo Group (Sunjay Kumar, Alexander Dickinson, Robin Berryman)
2/28/2012
Summary:
Coco Fusco’s “A Field Guide for Female Interrogators” contains both the actual field guide (consisting of short instructions accompanied by illustrations describing various torture methods in a tongue-in-cheek tone) and an essay, “An Invasion of Space by a Female” in which she discusses the implications of the use of sexual torture by female interrogators on male detainees. She shows how the military establishment manipulates the mainstreamed feminist impulse for gender equality and feminine empowerment to create non-empathetic sexual aggressors in the form of female interrogators, and how mainstream and feminist discourse avoids the ethics of sexual torment by focusing on the plight of female military personnel accused of torture. Fusco also problematizes feminist discourse (including that of the “fairy godmother of feminism” Virginia Woolf) that argues that women have the ability and responsibility to prevent war, pointing out the crucial place of female military officers in the use and perpetuation of torture.
In order to better understand the mindset of military interrogators, Fusco and a group of women undergo military interrogation training through which she concludes that interrogators are taught methods designed to create emotional distance over which torture techniques could be meted. Using this training, along with information about various torture techniques, Fusco created a “field guide” which uses pictures and short statements to effect a satire of interrogation techniques using female sexuality as a weapon.
Qureshi’s article posits the controversial book The Arab Mind as having contemporary influence vis-a-vis Abu Ghraib. In the tradition of Orientalist discourse, the book presents a caricatured picture of Muslim culture, consisting of the following themes: “‘One, that Arabs only understand force, and, two, that the biggest weakness of Arabs is shame and humiliation’” (Qureshi, 1). Although Qureshi admits that some readers may find ideas such as the sexual emphasis on the rearing of boys and the reality distorting influence inherent in Arabic absurd, he points out the contemporary relevance of The Arab Mind in “diplomatic and military circles” and its influence on Abu Ghraib commentary (Qureshi, 1).
Investigating the cultural logic surrounding the U.S. response to Abu Ghraib, Jasbir Puar examines the relationship between those responses and discourses of U.S. sexual exceptionalism. Arguing that the U.S. is reliant upon instances like Abu Ghraib to support its sexual exceptional narrative, Puar states that state of exception discourses are formed on three planes: “the rarity of [a] particular form of violence,” “the sanctity of ‘the sexual’ and of the body,” and “the transparency of abuse” (Puar 81). She goes on to state that these “state of exception discourses” are then used to solidify notions of homonationalism.
In support of her argument, Puar first delineates the ways in which the Muslim body has been represented and conceptualized as an object of torture, using the long history of Orientalism as her starting point. Writing that the torture of the prisoners at Abu Ghraib was made legible through Orientalist notions that Arab Muslim men’s sexual deviance would rise to the surface once their sexual repression was lifted, Puar illustrates the significance that torture had in reinforcing thoses Orientalist notions. She then goes on to analyze the ways in which Western feminists and gay men reacted to the presence of female torturers at Abu Ghraib arguing that their reaction (distress at the “loss of the liberal feminist subject”) points to the way in which violence is a “circulatory system whereby no woman is strictly an insider or outsider” (Puar, 90). She continues by drawing attention to the limitations that the “gay sex” narrative imposes on the conversation about Abu Ghraib. By referring to the contents of the photos as gay sex instead of referringas rape, or sexual violence, the conversation is constrained to various notions of homophobia, homosexuality and specific moral narratives that do not explicitly address rape. Finally, Puar concludes by discussing the theatricality of the Abu Ghraib images, examining the ways in which the consumption of these images further illustrates the ways in which particular gendered, sexualized torture is central to U.S. patriotism.
Notable Quotes:
“Here’s how the implicit argument goes: How bad can torture really be if performed by a member of the ‘weaker sex’? … If torture involves women doing things to men of a sexual nature, which has been the case in numerous interrogations in Guantanamo, Iraq and Afghanistan, can it even be called torture?” -- Coco Fusco, “Invasion of Space by a Female”, page 39, paragraph 2
“[...] two themes predominated: “One, that Arabs only understand force, and, two, that the biggest weakness of Arabs is shame and humiliation”--Emram Qureshi, “Misreading ‘The Arab Mind’ The Dubious Guidebook to Middle East Culture That’s on the Pentagon’s Reading List”, page 1, paragraph 1
“Torture is neither antithetical nor external to the project of liberation; rather, it is part and parcel of the necessary machinery of the civilizing mission. [...] Any civilizing mission is marked precisely by this paradox: the civilizing apparatus of liberation is exactly that which delimits the conditions of its possibility. Thus torture is at the very least doubly embedded in sociality: it is integral to the missionary and savior discourse of liberation and civilizational uplift, and it consitutes apposite punishment for terroists and the bodies that resemble them.” -- Jasbir Puar, page 81/82
“in the metonymic chain linking torture, citizen production, and national-normative sexualities, torture surfaces as an integral part of a patriotic mandate to separate the normative-national genders and sexualities form the antinational ones.” --Jasbir Puar, page 100, paragraph 2
Discussion Questions:
In what ways does Fusco expand our discussion on the interactions between gender, sexuality, Islam and torture?
What is the relationship between Patai’s book, “The Arab Mind” and the nation-state? How is the sexuality employed in “The Arab Mind” used by the state ( vis a vis the the U.S. military)?
How does the gendered nature of torture in the context of Abu Gharib interact with the popular (Western) "feminist" empowerment narrative? Should this be viewed as a call for reevaluation of feminist ethics, or the way certain feminist ethics are internalized particularly by working class or minority youths?